Pride and Prejudice — Historical-Language Mistranslation Prevention Glossary
The English of Austen's era (the Regency, around the 1810s) contains many words that have the same spelling as today but a different meaning.
This document catalogues words that become mistranslations when rendered according to their modern meanings, helping translators avoid serious errors.
Risk classification:
- [Danger] — The period meaning is the opposite of, or entirely different from, the modern meaning. A mistranslation reverses the whole sentence.
- [Caution] — The meanings partly overlap, but the essential nuance differs.
- [Reference] — An obsolete usage that must be understood for a natural translation.
A. [Danger] — Opposite or entirely different from the modern meaning
1. sensible
| Item |
Details |
| Meaning in Austen's era |
(1) Having good sense; judicious / (2) aware of something |
| Modern English meaning |
Sensitive ← not the intended meaning |
| Example in the novel |
"a sensible, intelligent young woman" (Ch. 5, Charlotte) = a judicious and intelligent woman |
|
"I am very sensible of the honour" (Ch. 19, Elizabeth) = I am fully aware of the honour |
| Translation |
“judicious” / “sensible” / “fully aware of” |
| Mistranslation example |
“a sensitive young woman” → creates an entirely different characterization |
2. condescension / condescend
| Item |
Details |
| Meaning in Austen's era |
A person of high rank stooping to bestow a favour. A term of praise. |
| Modern English meaning |
A patronizing, superior attitude ← the opposite meaning |
| Example in the novel |
"such affability and condescension" (Ch. 14, Collins praising Lady Catherine) = Lady Catherine's gracious willingness to lower herself |
|
"She had even condescended to advise him to marry" (Ch. 14) = she had personally stooped to advise him to marry |
| Translation |
“graciously stooped to” / “deigned to” / “personally” |
| Mistranslation example |
“such arrogance and patronizing behaviour” → turns Collins's flattery into criticism |
| Caution |
Austen also uses the word ironically. Collins means it as sincere praise, while the reader finds it ridiculous; the translation must preserve this duality. |
3. nervous / nerves
| Item |
Details |
| Meaning in Austen's era |
Having weak nerves / suffering from a nervous disorder (a medical concept) |
| Modern English meaning |
Tense, anxious ← a different nuance |
| Example in the novel |
"You have no compassion on my poor nerves." (Ch. 1, Mrs Bennet) = you have no compassion for my poor weakened nerves |
|
"she fancied herself nervous" (Ch. 1, narrator) = she imagined herself to have weak nerves |
| Translation |
“weak nerves” / “nervous disorder” — not merely “anxious” |
| Key point |
Mrs Bennet's “nerves” are a medical self-diagnosis (in fact an affectation), not simple anxiety. |
4. nice
| Item |
Details |
| Meaning in Austen's era |
Precise, fastidious, capable of subtle discrimination |
| Modern English meaning |
Pleasant, kind ← almost unrelated |
| Example in the novel |
Though rarely used directly, "a nice distinction" = a fine/subtle distinction |
| Translation |
“precise” / “fastidious” / “subtle” |
5. wanting
| Item |
Details |
| Meaning in Austen's era |
Lacking, deficient |
| Modern English meaning |
Desiring ← entirely different |
| Example in the novel |
"No one admitted to the privilege of hearing you can think anything wanting." (Ch. 31, Darcy) = no one who hears you can think anything lacking |
| Translation |
“lacking” / “deficient” |
| Mistranslation example |
“can think that anything is desired” |
6. address (noun)
| Item |
Details |
| Meaning in Austen's era |
(1) Manner of speaking, bearing, or approach / (2) a postal address / (3) courtship |
| Modern English meaning |
Predominantly a location or postal address |
| Example in the novel |
"very pleasing address" (Ch. 15, Wickham) = a very pleasing manner/address |
|
"my addresses" (Ch. 20, Collins) = my courtship/advances |
|
"Jane had written the direction remarkably ill" (Ch. 46) = Jane had written the address very illegibly (here direction = address) |
| Translation |
According to context: “manner” / “bearing” / “courtship” / “address” |
7. direction
| Item |
Details |
| Meaning in Austen's era |
The address or destination written on a letter |
| Modern English meaning |
Orientation; instruction |
| Example in the novel |
"the wished-for direction" (Ch. 52, Wickham's address) = the longed-for address |
| Translation |
“address” / “whereabouts” |
B. [Caution] — A different essential nuance
8. handsome
| Item |
Details |
| Meaning in Austen's era |
(1) A person: good-looking/beautiful, for either sex / (2) an action or sum: generous, liberal / (3) a building: imposing |
| Difference from modern usage |
Modern usage applies it mostly to male appearance |
| Example in the novel |
"a handsome young man" (Bingley) = good-looking / "handsome modern building" (Rosings) = an imposing building / "a very handsome thought" (Collins praising Darcy) = a fine/generous thought |
| Translation |
Person: “handsome/beautiful” / building: “imposing/fine” / action: “fine/generous” |
9. civil / civility
| Item |
Details |
| Meaning in Austen's era |
Polite, but only minimally courteous; it need not be sincere |
| Difference from modern usage |
Similar today, but Austen clearly distinguishes “civil” from “warm/cordial” |
| Example in the novel |
"with cold civility" (Ch. 46, Elizabeth to Darcy) = with cold politeness |
|
"civil disdain" (Ch. 18, Miss Bingley) = polite disdain — an intentional oxymoron |
| Translation |
“civil/polite”; where insincerity matters, “formal” or “perfunctory” |
| Scale |
civil (minimum) < polite (standard) < courteous < warm < cordial (sincere) |
10. consequence
| Item |
Details |
| Meaning in Austen's era |
Social importance, standing, or status |
| Modern English meaning |
Result, outcome |
| Example in the novel |
"give consequence to young ladies who are slighted by other men" (Ch. 3, Darcy) = make young ladies whom other men slight feel important |
|
"a man of consequence" = a man of standing/importance |
| Translation |
“standing” / “importance” / “status,” according to context |
11. intelligence
| Item |
Details |
| Meaning in Austen's era |
News, information |
| Modern English meaning |
Intellectual ability |
| Example in the novel |
"the great intelligence" (Ch. 30, Collins announcing Darcy's arrival) = this momentous news |
|
"fresher intelligence of her former friends" (Ch. 25) = more recent news of her former friends |
| Translation |
“news” / “information” / “tidings” |
12. design
| Item |
Details |
| Meaning in Austen's era |
Intention, plan, or scheme |
| Modern English meaning |
Visual or functional design |
| Example in the novel |
"Is that his design in settling here?" (Ch. 1, Mr Bennet) = is that his intention in settling here? |
|
"without any design" (Ch. 22, Jane) = without any scheme/ulterior motive |
| Translation |
“intention” / “plan” / “ulterior motive” |
13. countenance
| Item |
Details |
| Meaning in Austen's era |
(1) Face, complexion, expression / (2) to support or approve |
| Modern English meaning |
Face (now uncommon) |
| Example in the novel |
"a fine countenance" (Wickham) = a fine face/appearance |
|
"Bingley could keep his countenance" (Ch. 9) = Bingley could keep a straight face |
| Translation |
“expression” / “complexion” / “appearance” |
14. character
| Item |
Details |
| Meaning in Austen's era |
(1) Personality / (2) reputation, public estimation — both senses may operate together |
| Example in the novel |
"His character was decided." (Ch. 3) = his reputation was settled (= he was judged proud) |
|
"Wickham's character" = Wickham's true nature/reputation (reversed later in the novel) |
| Translation |
Distinguish “personality” from “reputation” by context; where both operate, use a term meaning “the kind of man he is” |
15. establishment
| Item |
Details |
| Meaning in Austen's era |
(1) A settled home through marriage / (2) an independent basis for life in general |
| Example in the novel |
"what an establishment it would be for one of them" (Ch. 1) = what a fine settlement/home it would provide for one daughter |
|
"the pure and disinterested desire of an establishment" (Ch. 22, Charlotte) = the pure desire to secure a settled home |
| Translation |
“settlement” / “a home of her own” / “an established household” — not “facility” |
16. connexion(s) / connection(s)
| Item |
Details |
| Meaning in Austen's era |
Relations, family ties, social connections |
| Modern English meaning |
Connection in a general sense |
| Example in the novel |
"low connexions" (Darcy) = low relations/connections (= a merchant uncle and an attorney uncle) |
|
"the connexion was a most unhappy one" = that family connection by marriage was a very unfortunate one |
| Translation |
“connections” / “relations” / “family ties” |
17. amiable
| Item |
Details |
| Meaning in Austen's era |
Lovable, pleasing, good-natured — stronger praise than modern “amicable” |
| Example in the novel |
"she is one of the most tractable creatures... a very great favourite" (Ch. 33, Elizabeth's assessment of Georgiana) |
|
"the most amiable man of my acquaintance" (Ch. 24, Jane on Bingley) = the most lovable man I know |
| Translation |
“lovable” / “good-natured” / “pleasing” |
18. agreeable
| Item |
Details |
| Meaning in Austen's era |
A pleasant person; enjoyable company |
| Example in the novel |
"If he had been so very agreeable, he would have talked to Mrs. Long" (Ch. 5, Mrs Bennet) = if he had been so pleasant, he would have spoken to Mrs Long |
| Translation |
“pleasant” / “agreeable” / “good company” |
| Scale |
disagreeable < tolerable < agreeable < amiable |
C. [Reference] — Obsolete usages
19. complaisance / complaisant
| Item |
Details |
| Meaning |
A willing, accommodating disposition intended to please others |
| Do not confuse with |
“complacency” (self-satisfaction) |
| Example in the novel |
"his complaisance" (Ch. 6) = his obliging manner |
20. propriety / impropriety
| Item |
Details |
| Meaning |
Proper conduct, decorum, behaviour befitting one's station — not merely abstract appropriateness, but compliance with social norms |
| Example in the novel |
"want of propriety" (Darcy's letter criticizing the Bennet family) = a lack of decorum |
| Translation |
“decorum” / “propriety” / “respectability” |
21. scheme
| Item |
Details |
| Meaning |
A plan, more neutral than the modern negative sense of “plot” |
| Example in the novel |
"No scheme could have been more agreeable" (Ch. 27, travel plan) = no plan could have been more pleasant |
| Translation |
“plan” / “arrangement” — not necessarily negative |
22. apprehension
| Item |
Details |
| Meaning |
(1) Understanding, perception / (2) anxiety — Austen uses sense (1) more often |
| Example in the novel |
"I had no apprehension of his feeling a serious attachment" (Ch. 35, Darcy's letter) = I did not perceive that he felt a serious attachment |
| Translation |
“perception” / “understanding”; use “anxiety” only where that sense applies |
23. complaint
| Item |
Details |
| Meaning |
(1) A grievance / (2) an illness or ailment |
| Example in the novel |
"nervous complaints" (Mrs Bennet) = nervous ailments |
| Translation |
Check the context; for Mrs Bennet it always means “ailment” |
24. prospect
| Item |
Details |
| Meaning |
(1) A literal view or vista / (2) a future prospect |
| Example in the novel |
"a charming prospect over that gravel walk" (Ch. 9) = a charming view beyond the gravel walk |
| Translation |
In a building/window context, “view/vista”; in a future context, “prospect/possibility” |
25. natural
| Item |
Details |
| Meaning |
(1) Natural / (2) naturalistic (landscaping) / (3) illegitimate (rare) / (4) innate |
| Example in the novel |
"natural beauty" (Pemberley landscaping) = beauty preserving a naturalistic aesthetic, not artificial |
|
"a sort of natural self-consequence" (Lydia) = a kind of innate self-importance |
| Translation |
Distinguish by context. Pemberley's “natural” is a term from naturalistic aesthetics. |
D. Scale of evaluative adjectives — Preserve intensity in translation
The adjectives Austen uses to describe people form a precise scale:
Positive scale (weak → strong)
tolerable (barely acceptable, so-so) ← lowest — Darcy's assessment of Elizabeth
↓
civil (polite) ← the ceremonial minimum
↓
agreeable (pleasant; good company)
↓
pleasing (likeable)
↓
amiable (lovable, good-natured)
↓
charming
↓
delightful (giving pleasure)
↓
excellent ← highest
Negative scale (weak → strong)
not very agreeable (not particularly pleasant) ← British understatement
↓
disagreeable
↓
unpleasant (more direct)
↓
ill-natured
↓
proud ← applied to Darcy
↓
insolent
↓
abominable
↓
despicable ← strongest — Elizabeth's self-condemnation
Translation principles
- Preserve the same differences in intensity in the target language.
- Rendering both “tolerable” and “agreeable” as “fine” destroys the scale.
- Rendering both “civil” and “amiable” as “kind” erases the difference in relational warmth.
E. British understatement — The most frequent source of mistranslation
Austen uses double negatives, minimization, and understatement extremely often. Literal translation erases the nuance.
| Original pattern |
Surface meaning |
Actual meaning |
Translation guidance |
| "not unpleasing" |
not displeasing |
fairly pleasant |
Resolve the double negative but keep the force mild: “not bad” |
| "not without" |
not lacking |
definitely present |
“there certainly was...” |
| "she could not help" |
could not refrain from |
she did it (strong impulse) |
Preserve the negative construction where natural: “could not help...” |
| "I dare say" |
I venture to say |
probably so (light conjecture) |
“probably” / “I suppose” |
| "I am sure" |
certainly |
I think (often a habitual flourish, not certainty) |
In Mrs Bennet's speech, use emphatic but groundless certainty: “I am certain...” |
| "something like regret" |
something resembling regret |
regret she is reluctant to acknowledge |
Keep “something like regret”; do not state flatly that it is regret |
| "not entirely hopeless" |
not completely without hope |
there is a little hope |
“not entirely without hope” |
| "I fancy" |
I imagine |
it seems to me (light conjecture) |
“I think” / “it seems” |
| "by no means" |
by no method |
absolutely not (strong negation) |
“by no means” / “certainly not” |
| "tolerable/tolerably" |
bearable |
only just acceptable (not praise) |
“so-so” / “passable” |
F. Period nuances of verbs
| Verb |
Meaning in Austen's era |
Modern meaning |
Example in the novel |
Translation |
| to own |
To acknowledge, admit |
To possess |
"I own I was surprised" = I admit I was surprised |
“admit” / “acknowledge” |
| to engage |
(1) to promise or arrange (2) to employ (3) to occupy the attention |
Primarily to become betrothed |
"she was engaged elsewhere" = she had another engagement |
Check context |
| to want |
To lack / need |
To desire |
"want of propriety" = lack of decorum |
“lack” / “absence” |
| to wait on |
To visit formally |
To wait / serve |
"to wait on Mr. Bingley" = to call on Mr Bingley |
“call on” / “pay one's respects to” |
| to make out |
To understand, comprehend |
To discern / kiss passionately |
"I cannot make him out" = I cannot understand him |
“understand” / “make sense of” |
| to recollect |
To call consciously to mind |
Now largely synonymous with remember |
In Austen, it carries the nuance of deliberately recalling |
“recollect” / “call to mind” |
| to flatter oneself |
To pride oneself (often mistakenly) |
To compliment oneself |
"I flatter myself that..." = I venture to pride myself that... |
“pride oneself” — often ironic |
| to trifle with |
To play with; treat lightly |
— |
"You are too generous to trifle with me" = you are not base enough to play with my feelings |
“play with” / “toy with” |
G. Pairs that must never be confused in translation
| Pair |
Difference |
Result of confusion |
| pride vs vanity |
pride = one's opinion of oneself; vanity = what one wishes others to think (Mary's definition, Ch. 5) |
Destroys a central distinction in the novel's title and theme |
| sense vs sensibility |
sense = reason/judgment; sensibility = emotional sensitivity/feeling |
Erases the contrast between Jane (sensibility) and Elizabeth (sense) |
| civil vs polite vs amiable |
civil = minimum courtesy; polite = standard courtesy; amiable = sincere liking |
Erases differences in relational warmth |
| fortune vs income |
fortune = total capital; income = annual revenue |
Misreads economic scale: Bingley's £100,000 versus £4,000–5,000 a year |
| trade vs profession |
trade = commerce (lower status); profession = learned profession (higher status) |
Erases a subtle distinction in class prejudice |
| living vs life |
living = clerical benefice/parish income; life = existence |
Reverses the heart of the Darcy–Wickham conflict |
| interesting |
In Austen: engaging or moving, stronger than modern casual usage |
Translating “most interesting” as merely “fun” weakens the emotional force |